Documentaries are usually—aesthetically speaking—very, very boring. Man on Wire (2008), which holds a 100% rating on Rotten Tomatoes, put me to sleep at the theater (though a lack of sleep the night before surely didn’t help. It’s the only time I’ve fallen asleep at the theater). (Editor’s note: Actually, he also fell asleep in front of the 2009 Keats biopic Bright Star, but that doesn’t count, because he wasn’t there by choice.) The problem is that, just as a majority of fiction filmmakers think that plot is key and forget the rest (I’m looking at you, Christopher Nolan), and just as a good number of filmmakers of a more literary bent make the same mistake with character (I couldn’t finish Blue Valentine (2010) for this very reason; but at least I finally got to see Ryan Gosling do some real acting), documentaries are often so focused on the truth of their subject matter, and how important it is for it to be spread far and wide, that they prioritize writing an exposé over making a film. Such motivations are noble and worthy, but they are political rather than aesthetic, and as such they can be equally well served using other mediums. In other words, this common kind of documentary doesn’t consider itself first and foremost a film. Not all documentaries are like this, of course. The Act of Becoming (2015), which I bet you’ve never heard of, is a good case in point.
Continue reading “Against Cinéma Vérité: The Act of Becoming (2015)”