Editor’s note: This piece is part of a series on the 2018 Taipei Film Festival.
The fiction debut of Portuguese documentarian Pedro Pinho, The Nothing Factory (A Fábrica de Nada 2017) has difficulty shedding documentary elements in favor of narrative staples such as an arc, backstory, emotional stakes, or even differentiated characters. Instead, the film captures each scene in a naturalistic, equanimous non-style, assuming incorrectly that they have the requisite attraction to motivate the film.
Continue reading “Thoughts on The Nothing Factory (A Fábrica de Nada 2017)”