In a collaborative medium like film, in which massive amounts of capital are usually expended on a single effort, it’s understandable for even toxic dumpster fires to see the light of day; having stuffed their money into the shredder, the filmmakers might as well try to recoup what they can. So in an era chock full of incoherent CGI spectacles, it’s refreshing to see a CGI spectacle that’s fully coherent. Valerian and the City of a Thousand Planets (2017) may not be an everlasting work of art, but it’s an exemplary genre film—by which I mean that it leans on its genre conventions to superb effect.
Continue reading “The Case for the Defense: Valerian and the City of a Thousand Planets (2017)”